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by Oleksa Mycyk
“The only way to discover the limits of the possible is to venture a little way past them into the impossible.” -Arthur C Clarke
Several years ago...
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by Oleksa Mycyk
By Cheri Collins
“The most open, freely speaking, resonant sound tone production is based on speed of the bow” [1]
Practicing the son filé bowin...
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by Oleksa Mycyk
A historical interview with the legendary Jascha Heifetz: “The Danger of Practicing Too Much, And More…”
Below is a fantastic interview from the e...
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by Oleksa Mycyk
Hans Jørgen Jensen interviewed the violist Michael Tree at the Young Artist Program in Ottawa, Canada on June 17, 2011. The world lost a great man...
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by Oleksa Mycyk
“Without leaps of imagination or dreaming, we lose the excitement of possibilities. Dreaming, after all is a form of planning.” — Gloria Stei...
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by Oleksa Mycyk
“Everything in the universe has a rhythm, everything dances.." — Maya Angelou
Over many years of teaching, I have noticed how much rhyth...
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by Oleksa Mycyk
By Hans Jensen and Oleksander Mycyk
Illustration - Andrea Ucini
“As a young cellist I wish that I had known about the term Deliberate Practice (...
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by Oleksa Mycyk
This blog post is a small sample from Chapter 8 of PracticeMind: The Complete Practice Model by Hans Jensen and Oleksander Mycyk
I have a strong ...
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by Oleksa Mycyk
By Hans Jensen
This blog post features an excerpt from CelloMind by Hans Jensen and Minna Rose Chung followed by answers to last wee...
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by Oleksa Mycyk
This blog post is a small sample from Chapter 11 of PracticeMind: The Complete Practice Model by Hans Jensen and Oleksander Mycyk
The ability to s...
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by Oleksa Mycyk
One of the most impactful elements of my teaching philosophy is showing students the concept of metacognition and training their ability to unde...
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by Oleksa Mycyk
By Dr. Nick Curry
A graduate of the Royal Northern College of Music and the Musikhochschule in Cologne, Clive Greensmith's principal teachers wer...
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